Keep in touch
with anything. I don't suggest doing this regularly, however in the event that
you're truly battling and need to get your piece composed, simply get something
– anything – down on the page.
It doesn't make a difference if it's terrible,
or syntactically inaccurate, or brimming with grammatical errors.
Release a
sentence and work in reverse. I now and again observe that it's less demanding
to alter and modify an awful passage than specialty a decent one on the
principal attempt.
Do I need to get
the hero out of a trap? Can't think of anything - the hero grows a third arm,
which allows him to swim thorough walls - and I go with it.
I won't use it in
the final draft, but it gets me thinking creatively, and that often lets me
jump tracks back into real story mode once I get going.
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